Description
Is art obliged to engage with politics? If so, how? By taking sides in political struggle; by singing the song of the barricade, the new nation, the bombed city? Or by giving form to the deeper patterns of experience – the raw materials of “society” – from which any politics is made? Using case studies stretching across the centuries, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, “Those Passions” aims to show how modern art has responded to the chaos and danger of modern life.
