Description
"Opera","""A fascinating interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th- and 20th-century operatic texts. . . . This is an extraordinary examination of how opera uses the singing body--gendered and sexual--to give voice to the suffering person. Highly recommended.""--Library Journal. NP""The authors' argument is rich and complex; it draws on source, text and music; it is also medically sound. Opera is quin-tessentially an art of love and desire, of loss and suffering, of disease and death. Hutcheon and Hutcheon enrich our understanding of both content and context.""--Opera News. NP""Linda and Michael Hutcheon have done a fine job of pulling together medical and literary sources to make sense of the changing depiction of disease in opera. . . . For opera lovers and for anyone interested in seeing good, synthetic reasoning at work, this is a fine study.""--Publishers Weekly. NPLinda Hutcheon is a professor of English and comparative literature at the University of Toronto. She is the author of, most recently, Irony's Edge: The Theory and Politics of Irony. Michael Hutcheon, M.D., is a professor of medicine at the University of Toronto. His many articles have appeared in American Review of Respiratory Disease and other journals."
