Description
"From one of the world's most beloved and respected public intellectuals comes a sweeping work of musical criticism, examining the distance between the performer and their audience. Filling a significant gap in contemporary cultural studies, Musical Elaborations examines the intersection of the public and private meaning of music. Incorporating the music criticism of Adorno, musical ideas from literary works by Proust, and criticism by Benjamin and de Man into his work, noted critic Edward W. Said discusses performers such as Glenn Gould, Arturo Toscanini, and Alfred Brendel and such composers as Beethoven, Wagner, and Strauss"-- Provided by publisher.
