Description
One of France's most uniquely compelling artists, Bernar Venet has devoted the last two decades to an investigation of meaning and form in sculpture. Venet was trained as a painter but quickly became involved with conceptual art, experimenting with mathematical and aesthetic principles in a variety of media, particularly sculpture. In this illustrated book, critic Carter Ratcliff provides an illuminating look at the complex relationship between form, language, and meaning in Venet's recent work.
