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Michael Wood & Devin Fore in Conversation
Michael Wood & Devin Fore in Conversation — On Empson
Tuesday, May 9th, 2017 at 6PM — Labyrinth Books Princeton

Are literary critics writers? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be. The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In his new book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure. Please join the author and his fellow critic, Devin Fore for a conversation.

Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.

Michael Wood is professor emeritus of comparative literature at Princeton University and the author of many acclaimed books, including Yeats and ViolenceAlfred Hitchcock: The Man Who Knew Too Much, and The Magician's Doubts: Nabokov and the Risks of Fiction. He is a regular contributor to the New York Review of Books and the London Review of Books. Devin Fore is professor of German at Princeton University and the author of Realism after Modernism and the forthcoming All the Graphs: Soviet Factography and the Emergence of Avant-Garde Documentary.

This event is cosponsored by Princeton University's Comparative Literature Department and Council for the Humanities

 
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